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About Iris

Edinburgh / Anywhere

Coasts, mountains and small towns, photographed for editors, outdoor brands and people who collect prints. Most of my work happens in the hours either side of bad weather.

How I work

I photograph what the weather leaves behind. Mist, wet sand, the first snow on a ridge.

Iris Monroe with her camera
Iris, studio days
Studio
Leith, Edinburgh
First camera
2009, a borrowed Pentax
Favourite weather
Clearing showers
Prints
Signed & numbered

I grew up on the Fife coast, where the haar rolls in off the North Sea without warning, and learned to take pictures on long walks with a borrowed camera and no plan. After five years assisting commercial photographers in Glasgow, I went out on my own in 2015.

Since then I have photographed in 24 countries for travel magazines, tourism boards and outdoor brands. Between commissions I work on long personal series, returning to the same coast or glen across several seasons, and every one of them ends up in print.

I still prefer working alone or with one assistant. It keeps the footprint small and the schedule flexible, which matters when the best hour of a trip can arrive on the last morning.

Where I work · Two ways

Two kinds of trips.

Booking 2027

Mist-covered mountains in soft blues and greens
Home ground

Scotland · Close to the studio

The islands, glens and east coast beaches I can reach before sunrise. Most personal series start here, and I run small workshops on Harris and in the Highlands each spring and autumn.

Golden dunes and dry grass below sunlit mountains
Further out

Abroad · On assignment

Magazine and brand work in 24 countries, from Arctic Norway to the Atacama. I travel with a small kit and a flexible schedule, and plan every trip around the season it deserves.

As seen in & commissioned by

Northbound ReviewCoastline QuarterlyHearth & TrailThe Open MapLowland PressMeridian TravelNorthbound ReviewCoastline QuarterlyHearth & TrailThe Open MapLowland PressMeridian Travel

In numbers · 2015 → 2026

A decade, counted.

Long-form series
8Long-form series
Magazine features
41Magazine features
Countries so far
24Countries so far
Prints sent out
600+Prints sent out

“A good landscape picture is mostly logistics and luck. My job is to get the logistics right, then stand still long enough for the luck.”

Iris MonroePhotographer
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